Composers

Clément Loret

Organ
Pump organ
Piano
Violin
Piece
Marche
Étude
Religious music
Offertories
Postlude
Prelude
Versets
Carol
Andante
by popularity

#

12 Organ Pieces12 Piano Pieces24 Études pour orgue24 Préludes et versets3 Etudes, Op.195 Morceaux faciles avec pédale6 Noëls with Variations

A

Andante religioso, Op.43

C

Cantabile, Op.41Canzone, Op.44

L

Le Service divin

M

Marche funèbreMarche nuptiale, Op.40Marche triomphale

O

Offertoire pour Pâques sur «O Filii et Filiæ»Organ Sonata No.1, Op.25

P

Postlude 'Alleluia'Prière, Op.42

R

Rêverie No.1

S

Scherzo-Fanfare, Op.45

T

Trio sur 'Rienzi'
Wikipedia
Clément Loret (10 October 1833 – 14 February 1909) was an organist, music educator, and composer of Belgian origin, French naturalized.
Clément Loret was born in Dendermonde (Termonde) in Belgium. His father Hippolyte, organist (at Notre-Dame de Termonde) and organ builder, introduced him to music and the organ at a very young age. He started playing in church when he was 7 years old, and the following year he occasionally replaced his father at the keyboard. In 1846, his father was appointed organist at Mons, and the young Clément continued his musical studies with Jules Denefve (1814–1877).
Admitted to the Royal Conservatory of Brussels in 1851, he was a student of Lemmens for the organ and Fétis for the counterpoint. He won a First Prize in 1853.
In 1855, Loret came to Paris. Lemmens had written him a letter of introduction to Aristide Cavaillé-Coll, who was so little impressed by the young man that he dared not present him to his acquaintances. However, he linked up with Auguste Victor Mustel [fr], an harmonium factor, who decided him to stay. He then held organist positions at Suresnes and Notre-Dame des Victoires. Then, he was named titular holder of the new Cavaillé-Coll organ of the National Basilica dedicated to St. Geneviève (now Panthéon de Paris) during the Second French Empire, from 1855 to 1885, and occupied the gallery of Église Saint-Louis-d'Antin [fr], where Niederermeyer was maître de chapelle from 1858 to 1866.
Appointed professor of organ at the Niedermeyer school of Paris in 1858, he trained most of the French organists of the time including Fauré, Letocart and Gigout.
His brother Charles, who died young, was also a musician and composer. His wife, Philippine Colonius, was a talented musician.
Their son, Victor Loret (1 September 1859 – 3 February 1946) was a musician, musicologist and a very famous French Egyptologist. A friend of Camille Saint-Saëns, he was interested in music and instruments from the Pharaonic period. As ethnomusicologist, he transcribed traditional melodies and dances from the south of the valley.
Clément Loret died in Colombes, near Paris, on 14 February 1909,
Several of his works have been published in Paris by Loret Fils & H. Freytag, his publishing house.
Glisse ô ma barque (barcarolle) - Les deux captifs - Dis-moi je t’aime - Dormez (sérénade) - L’enfant de la négresse - La fleur - L’oreiller d’un enfant - Rêver, prier, aimer - L’été - Oui, c’est toi que j’aime (chez l’auteur à Paris)
A selection of works for organ by Clément Loret has been recorded on the Cavaillé-Coll organs at Pezenas and Carcassonne by Jean-Luc Salique (2 CD Coriolan, 1998).