Composers

Justin Heinrich Knecht

Organ
Voice
Mixed chorus
Orchestra
Piano
Harpsichord
Soprano
Alto
Tenor
Bass
Religious music
Piece
Chorale prelude
Prelude
Versets
Music theory
Writings
Theory
For beginners
Fugue
by popularity
12 Variations on a Theme in C major90 Kurze und leichte neue OrgelstückeDie durch ein Donnerwetter unterbrochene HirtenwonneElementarwerk der HarmonieFreu dich sehr, o meine SeeleFuge über B-A-C-HGott ist mein HirtHerr! straf mich nicht in deinem Zorne!Hymnus: Ad Coenam Agni ProvidiKommt, kommt den Herrn zu preisenMein erst' Gefühl sei Preis und DankNeue Vollständige SammlungNun danket alle GottPastoral Symphony, 'Portrait musical de la nature'Sammlung auserlesener KlavierstückeVollständige Orgelschule
Wikipedia
Justinus or Justin Heinrich Knecht (30 September 1752 – 1 December 1817) was a German composer, organist, and music theorist.
He was born in Biberach an der Riss, where he learnt to play the organ, keyboard, violin, and singing. He attended a Lutheran collegiate institution in Esslingen am Neckar from 1768 to 1771, when he became Lutheran preceptor and music director in Biberach, which was a free imperial city until 1803, and had a rich cultural life. He became organist of St Martin's church in 1792, which was used simultaneously by Lutherans and Catholics.
He led an energetic, busy musical life; he composed for the theatre and church, organised subscription concerts, and taught music theory, acoustics, aesthetics, composition, and instruments at the Gymnasium, which was affiliated to the Musikschule in 1806. He went to Stuttgart in December 1806 in the hopes of a post there as Kapellmeister or similar, but after being appointed Direktor beim Orchester by the King of Württemberg in April 1807, he returned in 1808 to his former life in Biberach where he remained for the rest of his life.
Collections are in the Wieland-Archiv, Biberach, and the Kick collection at the library of University of Tübingen. A full thematic catalogue is in Ladenburger (1984).
He completed J. S. Bach's The Art of Fugue (1803), but this has been lost.
In music theory, he agreed with the ideas of G.J. Vogler.