Nuty $29.91

Oryginalny tekst

G.F. Handel. Judas Maccabaeus. Vocal Score. Sheet Music. Soprano, Alto, Tenor and Bass Soloists, SATB Choir, Piano Accompaniment. SOP. ALTO. TEN. BASS. SATB. PFA. George Frideric Handel.

Tłumaczenie

G. F. Handel. Juda Machabeusz. Vocal Wynik. Nuty. Soprano, Alto, Tenor and Bass Soloists, SATB Choir, Piano Accompaniment. SPO. WYSOKA. TEN. BASS. SATB. PFA. Georg Friedrich Haendel.

Oryginalny tekst

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. The Maccabaean Revolt in the second century B.C. provided the background to the story that unfolds in Judas Maccabaeus. It is part of the history of the Ptolemaic and Seleucid Empires. This oratorio follows the story from the death of Alexander the Great in 323 B.C. up until Judas' march on Jerusalem in 164 B.C.. With a libretto supplied by Thomas Morell, Handel's great work was first performed at the Theatre Royal, Covent Garden, on April the 1st, 1747, as part of his annual Lenten season of oratorios. By the time of Handel's death in 1759, Judas Maccabaeus had become the composer's second most popular oratorio, having received 33 London performances under the composer's supervision. Messiah had 36. For SATB soli, SATB chorus and accompaniment. This version edited by Merlin Channon. Includes historical notes.

Tłumaczenie

W przypadku zamawiania więcej niż 10 kopii, prosimy o kontakt telefoniczny na 44. 1284 725725, aby sprawdzić dostępność. The Maccabaean Revolt in the second century B.C. provided the background to the story that unfolds in Judas Maccabaeus. It is part of the history of the Ptolemaic and Seleucid Empires. This oratorio follows the story from the death of Alexander the Great in 323 B.C. up until Judas' march on Jerusalem in 164 B.C.. With a libretto supplied by Thomas Morell, Handel's great work was first performed at the Theatre Royal, Covent Garden, on April the 1st, 1747, as part of his annual Lenten season of oratorios. By the time of Handel's death in 1759, Judas Maccabaeus had become the composer's second most popular oratorio, having received 33 London performances under the composer's supervision. Messiah had 36. Dla SATB Soli, SATB towarzyszeniem chóru i. This version edited by Merlin Channon. Includes historical notes.